It has since been relocated to 3538 West Fuqua, Houston, TX. In the early 2010s, this location closed. It has been shown in numerous music videos and documentaries as well as independent films.
He started his own business and opened a shop up on 7717 Cullen Blvd in Houston, TX, called Screwed Up Records and Tapes. Fans, some driving from far away areas such as Dallas and Waco, lined up at his door to obtain his recordings. His career began to advance once he met Russell Washington of BigTyme Recordz and signed to the label.ĭavis later moved to a house in the 7600 block of Greenstone Street near Gulfgate Mall. The crew later gained then upcoming artists such as, Z-Ro, Trae tha Truth as well as Lil Flip. The original lineup included Big Hawk, Big Moe, E.S.G., and Fat Pat, among others. Many members of the Screwed Up Click, or S.U.C., are considered key figures in the canon of Houston hip hop. This coalition of emcees eventually became the fathers of the Screwed Up Click. During the early 1990s, he invited some of the Houston MCs from the city's south side to rhyme on those mixes. At that point, customers had increasingly begun requesting his more well-known mixes instead of personalized lists. He soon made them available for sale when his close friend Toe offered to buy a mix from him for ten dollars. The mixes began as special compilations requested by friends and those in the know. It is not music to dance to but music to lose yourself in, as if it is the last sound echoing in your head as you drift off to sleep." ĭavis began DJing at age 12 in 1983, and started his trademark slowed-down mixes in 1990, the style became his main focus in late 1991 – early 1992. Screw's labors often sound like rap records played underwater on an old cassette deck that's running out of batteries and needs its tape heads cleaned. One day Adkins asked him, "Who do you think you are, DJ Screw?" Robert Earl liked the sound of that and, in turn, gave his long-time friend a new name: Shorty Mac. "Screw had a jam box and he hooked up two turntables to it and made a fader out of the radio tuner so he could deejay." Adkins said if Robert Earl didn't like a record, he would deface it with a screw. King and Johnnie Taylor records and scratched them on the turntable the way DJs did, slowing the spinning disc and then allowing it to speed back up, playing with sound.ĭavis began buying records of his own and would spin with his friend Trey Adkins, who would rhyme. His musical interest shifted as he took his mother's B.B. After seven years of practice, he was able to play works like Chopin's Etude in C major by ear. His admiration of classical music drove him to resume piano lessons.
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When young, DJ Screw had aspirations of being a truck driver like his father, but seeing the 1984 hit break dancing movie Breakin' and discovering his mother's turntable attracted him to music. She returned to Houston, but the marriage was floundering soon it would be over, and she and her kids moved to Los Angeles for a couple of years, then back to Houston, and returned to Smithville in 1980 when Davis was age nine. His mother Ida May Deary (who had a young daughter from a previous marriage), came to the area to be with her mother when her son was born in 1971. His father, Robert Earl Davis Sr., was a long-haul truck driver based in Houston. 4.4 Nationally distributed documentary films.
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4.3 Nationally distributed biopic TV series.